When Jaume Collet-Serra collaborated on this, his third outing with Liam Neeson (after "Non-Stop" and "Unknown"), he should have stopped to consider that the theme of an ordinary man who is completely at sea (or in the air, or in a train, in this case) had played itself out a while ago.
A lot happens in this film, but alas, not much of it means anything very much. Vera Farmiga's outstanding talent is wasted, and Sam Neill, who has maybe 12 lines in all, goes through them with a what-am-i-doing-in-this-movie expression on his face.
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